計畫簡介

壹、計畫內容摘要

戲曲為中國戲劇代表，其深厚的文化底蘊、合歌舞演故事的藝術特色及個性各異的地方劇種伴隨著不同世代民眾的常民生活娛樂及情感記憶，自十二世紀形成至二十世紀半葉，戲曲可謂中國的大眾戲劇。待其藝術傳播至世界並對西方戲劇有所影響，戲劇家黃佐臨更謂以梅蘭芳為代表的中國戲曲與斯坦尼斯拉夫斯基、布萊希特並列為二十世紀世界三大表演體系。而相對晚出的戲曲研究，雖在古典戲曲之作家、作品、聲韻格律等方面累積了豐碩的成果，但其藝術核心之表演及其文化現象，以及與近代東亞大眾戲劇的關係，卻相對乏人關注，此與國際戲劇研究的整體發展頗有差距。

戲曲表演文化涉及層面，除了戲曲表演藝術本身之外，尚包括流派藝術、劇場藝術學、觀眾學、劇種學、表演方法、戲曲教育、性別研究、戲劇比較、宗教民俗等知識領域，對其進一步研究，不僅能與國際戲劇研究接軌，更對戲曲研究本身的完整及深化，以及同時關照東亞大眾戲劇發展有益。

本計畫結合本校戲劇系、傳統音樂系專業師資，發揮藝術實踐理念，並配合戲劇系「亞洲表演與身體文化研究中心」、「東亞大眾戲劇研究中心」二學術發展主軸，積極規劃相關圖書書目，以戲曲表演及其相關文化現象為主、東亞大眾戲劇為輔，並以中文套書、罕見書及日、英文相關專書優先購置，以建構本校的圖書館藏成為國內最具戲曲表演文化及東亞大眾戲劇研究特色的圖書館。

 

On behalf of the Chinese theatre, with its rich heritage, stories combining singing and dancing as its artistic features, and a variety of local operas accompanied by the daily entertainment and emotional memories of commoners, crossing eight centuries since its formation in the 12th century, the Chinese Opera is known as China’s popular drama. As it spread around the world and shown influence on western drama, playwright Huang Zoulindemonstrated its mastery with Mei Langfang, representing Chinese Opera in the world’s three performing system along with Stanislavsky and Brecht. However, while the relatively late emergence of opera studies has accumulated fruitful establishments in the studies of playwrights, works and metrical rhyme, there lacks a focus on its core of artistic performance, cultural phenomenon and relations with the modern East Asian popular theatre, which decelerates the overall research developments among the International theatre community.

In addition to the art of performance, drama performance culture involves art genres, theatre art, viewers studies, drama genres, acting methods, drama education, gender studies, comparative theater studies, religion and folk knowledge and etc. Therefore, doing further research on drama performance culture will not only help build academic connection with the International drama studies community, but also build a complete and deep understanding on drama and East Asian popular theatre.

This project joins the faculty of the Department of the Theatre Arts and the Department of Traditional Music, circles on the development of “Center for Asian Performance and Body Culture Research” and “Center for East Asian PopularDrama”. It actively plans on accumulating related bibliography and materials, mainly on drama performance and related cultural phenomena and supplemented by East Asian Public theatre. In order to build up our university library collection, with the goal to become the top research center for drama performance culture and East Asian popular drama in the country, our priority purchase will focus on Chinese serial books and rare books, and related materials in English and Japanese.

 

貳、研究與執行人力

類別	姓名	服務機構/系所	職稱	職責
主持人	徐亞湘	戲劇學系	教授	計畫規劃與推動、研擬購藏重點、召集圖書典藏規劃委員會
共同主持人	廖仁義	博物館學研究所	助理教授兼圖書館館長	綜理督導圖書館執行與採購作業、圖書館後續服務與推廣
共同主持人	林于竝	戲劇學系	副教授兼戲劇系主任	協助計畫規劃與推動、研擬購藏重點
共同主持人	簡秀珍	傳統音樂學系	副教授	協助計畫規劃與推動、研擬購藏重點
計畫執行人員	吳雅慧	圖書館	採編組組長	計畫執行督導
計畫執行人員	吳采致	圖書館	採編組組員	圖書採購、推廣
計畫專案助理	許瑋婷	戲劇學系碩士班	研究生	書目查證、採錄點收、圖書加工、支援推廣活動、書目深度介紹、專題研究
計畫專案助理	程筱媛	戲劇學系碩士班	研究生	書目查證、採錄點收、圖書加工、支援推廣活動、書目深度介紹、專題研究